Seedance 2.1 Video Prompts
A closer look at Seedance 2.1 video prompts
Browse AI video prompts for ads, shorts, product stories, action scenes, and cinematic camera motion.
Car Sketch Comes to Life
A hand-drawn car sketch on paper. The camera pushes in as the pencil lines rise off the page, gain depth and color, and transform into a photoreal 3D car driving down a road.
Female Agent Snow Combat
An intense close-quarters fight scene featuring a short-haired female agent in winter tactical gear. She battles a mercenary inside a snowy military base, dodges a punch, counters with a vicious elbow to the visor, then follows with a heavy knee strike to the abdomen. Visible impact ripples, sweat and saliva spray, hand-held camera movement, white breath in the cold air, gritty texture, and high-contrast lighting.
Shibuya JK One-Take Sprint
A cinematic one-take sequence beginning with daytime Shibuya street noise, 8-bit game sounds, and layers of busy Japanese dialogue over shamisen plucks. The camera glides low as a schoolgirl in a JK uniform crashes into frame, hits hard, suddenly slows on the second beat, side-rolls, then races along the crosswalk with her skirt brushing the lens before exploding upward off a low wall and pulling the camera into the air.
Luxury Perfume Commercial
An ultra-luxury perfume advertisement with dreamy electronic sound design and grounded percussion. The camera starts in macro view on a transparent rectangular perfume bottle wrapped in surging purple liquid, with bubbles, splashes, and crisp water sounds. The sequence dissolves into rippling liquid surfaces, floating iris flowers, and dramatic still-life bottle shots refracting soft, dreamy light.
Chinese Boy Kite Long Take
A movie-grade action long take following a Chinese boy carrying a paper kite as he dashes through crowded alleyways, jumps stair sets, twists through a landing, and charges a raised platform for a difficult leap, with the drum hit exploding on impact. The entire piece stays in one continuous shot, with clear weight, inertia, and landing compression, evolving from Makoto Shinkai-inspired luminous realism into explosive ink-wash motion between seconds six and ten.
Camera Moves With the Story
Let the camera serve the story rhythm: push in when emotion tightens, widen when the scene needs context, and make every transition feel driven by narrative purpose.